The film is a parable about fear; it is a story about the attitudes of a mother and daughter deprived of love, who temporarily find mutual understanding, rallied by fear before the story invented by the mother about a cannibalistic wolf. On a philosophical level it is a reflection on the lost purity of thoughts, which is the main condition for the harmony of human life, and yet another illustration of the proverb: “The sleep of reason produces monsters”
Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.
Episode 3, entitled “Now in Color,” brings us to the 1970s — a decade full of vibrancy, color, and total mayhem.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
