
Three years after her lover, Rick Usher, and her best friend, Maddy Usher, had suddenly disappeared from her life without explanation, Jill Masters receives a phone call with news of Maddy's death. Her last wish was for Jill to attend her funeral. Conflicted, Jill returns to the house of Usher, a remote New England enclave. Her love affair with Rick is rekindled as she learns he suffers from the same malady that robbed his twin sister, Maddy, of her sharp mind before taking her life. His affliction is manifested in a rare nerve condition, which renders him hyper-sensitive. Under the watchful eye of the caretaker, Nurse Thatcher, Jill appears to be haunted by the ghost of Maddy, and the secret of the house of Usher is exposed.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
We are incredibly blessed that this movie is available for us to see, and we should take advantage of the opportunity we’ve been given.
An impressive narrative structure, a perfect use of the continuous shot technique, and great interpretations make "Boiling Point" one of the best films of 2021.