A Refusal to Comply: The Films of Lynne Ramsay
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.

The cat in a box, is it dead or alive? Schrödinger, a quantum physicist, asked the question. He answered that the cat is simultaneously both dead and alive. It paved a path to paradox. The monk in the house seeks after the truth in quantum physics. The time for the stars to bloom, the sunset when the flowers fall, the moment when light disappears in darkness, how do they exist in the same landscape? His question becomes spiral stairs.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.
Disney/Pixar may see a bit of a turning point with Pixar’s new Disney+ Sparkshorts short film: OUT.