This documentary shows four Brazilians who were affected by the 2014 FIFA World Cup in different ways, from a woman selling street food by the stadiums to a man who was displaced by construction projects. It paints a social-political portrait of Brazil in this historical time - before, during and four years after the World Cup - and makes a commentary on FIFA, mega-events, and their long-term impacts on the host countries.
Tran Quoc Bao succeeds in telling us a story about martial arts, human decay, and friendship. The originality shown by his filmmaking is admirable and brings fresh air to the classic Chinese martial arts genre.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
Episode 3, entitled “Now in Color,” brings us to the 1970s — a decade full of vibrancy, color, and total mayhem.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
Not every silence is empty. Some are filled with things too heavy for words.
