A Tale of Two 'Scenes from a Marriage'
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.

The Hijacker lands the plane at the Rīga Airport. 7 year-old Tom, travelling on his own, voluntarily becomes a hostage. Along with the traditional demands, the Hijacker adds the demands of the little hostage – beginning with some local chocolate and a self-instruction tape for learning the native language, and ending with organizing a Song Festival and a special biathletes’ performance – all ideas originating from a CD on Latvia.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
The Sandman features a plethora of LGBTQ+ characters and is openly expressive about it!