One morning in August 1944, the inhabitants of a French village are celebrating their premature liberation. The festivities are interrupted by the arrival of an exhausted, leaderless German detachment. A few kilometers away, the inhabitants of the village of Muzière negotiate with the Germans and agree to a truce. But the arrival of a Wehrmacht captain, anxious to regain control of the men, puts an end to this fragile peace process. The captain suggested meeting the Americans and surrendering to regular troops rather than civilians. The inhabitants of Muzière, believing the truce to be broken, fire on the Germans and, on this misunderstanding, the guns start talking again.
I was able to sit down and talk with singer/songwriter Carson Lueders about his career in the music industry. We talked influences from country music to Pop, and his working relationship with Quavo from the The Migos.
Greta Garbo, a queer actress playing a real-life queer Queen is the best of both worlds.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Writer and producer of 'Remember Me: The Mahalia Jackson Story', Ericka Nicole Malone discusses her humble beginnings in the industry.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
