What Netflix’s 'Daredevil' Gets Right and Wrong About Blindness
The "Daredevil" renaissance is finally upon us! As we return to the Netflix show, let's take a look at the ways the show gets blindness right and wrong.

Grieving the loss of her lover, a young woman is stranded in a relentless wilderness. In this place where memory and survival blur, she encounters a future version of herself living out of a rusted car, digging a grave in which to bury her younger self: a desperate ritual aimed at conjuring the presence of the lover she cannot release. As the two versions of herself battle for dominance, the woman is confronted with the choice to break free and move forward – or, by remaining bound to grief, to become as untamed and unforgiving as the landscape that surrounds her.
The "Daredevil" renaissance is finally upon us! As we return to the Netflix show, let's take a look at the ways the show gets blindness right and wrong.
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.
Andor is an origin story where each side will do whatever it takes.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.