Afterlife of the Party: An Exploration of Female Friendship
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.

Helen Merrill sings and dances in the rough Western mining town of Nugget City, where she befriends Myrtle Cadby, whose husband Jake cruelly abuses her. After a particularly vicious beating, Myrtle, seriously injured, shoots Jake. As she lies dying, she gives Helen a letter of introduction to a man she was to have married in the East, urging her to leave Nugget City. Before she leaves, Helen overhears Bill Sheridan and "Snipe" Roach scheming to sell Charles Taylor, a wealthy New Yorker, a salted mine, with the assistance of George Reed, Taylor's mining agent. Helen goes East and learns that Taylor is the man whom Myrtle was to have married, but because she immediately falls in love with him, she conceals her own identity and masquerades as Myrtle.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
The nations of Wakanda and Talokan enter war over their opposing viewpoints on dealing with the destructive hearts of humankind on the surface world.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Elsewhere is less than fourteen minutes long, but it delivers a more emotional impact than most feature-length films.