
The film is dedicated to the uprising, which broke out in Bulgaria in September 1923. All characters, with the exception of the leaders of the uprising Georgi Dimitrov and Vasil Kolarov, are symbolic characters. The central figures, Stefan and Peter, impersonate the motive forces behind the uprising - the workers and the peasants. They are involved in worker's strikes, in the stormy events of the First World War and the Soldier's uprising in 1918. They also participate in the bloody clashes of the September uprising and suffer its defeat after they have seen too late the need for concerted action by communists and agrarians.
For one widowed father and his five kids, an extraordinary gift will change their lives forever.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
The second film takes us on Peter's journey to be understood.