Just before their honeymoon, Sugamoto and Aoki break up. Sugamoto decides to bury her lost emotion by going on the determined honeymoon trip alone. The journey's end is a remote town famous for being a suicide hotspot, a place where the spirits of those who took their own lives roam around without finding a way to the afterlife. In this chaotic space where humans and ghosts meet, traces of the past abound, but maybe all these give them the strength to start a new chapter in life.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
A sweet slice-of-life anime that visualizes all the ways we creatively hide our vulnerabilities from the world.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
