We begin with a fragmented portrait of Činča, between the stories she tells and the thoughts of those surrounding her. In The Head, a girl is confronted with the possibility of dying. Intermezzo focusses on the moments of abstraction amid the hustle and bustle of a city. In Our Stock Exchange, unemployed people seek work. Second Floor, Basement shows us a hospital where only two floors separate birth and death.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
Although bogged down by a slow pace and moralistic intent, ‘Deadly Garage Sale’ (2022) makes the most of its silly and nonsensical premise.
Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
Four more classic horror films that are entertaining even if occasionally absurd.
For those that are unaware, the trailer for the new Civil Rights movie Till has been out and it's absolutely amazing for all to see.
