Last Christmas: Emilia Clarke Stopped Eating Hearts and Decided to Win Them.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.

The life of Shalom, The Nazi major officer Adolf Eichmann's hangman, turned ritual slaughterer, encapsulates the story of Israel from the perspective of the 'other'- the marginalized Sephardi prison warden who is forced to do the dirty work of hanging the arch enemy and thus to carry a national burden that dramatically shaped his life. His job in the abattoir, together with his memories of his past, create a fascinating and complex portrait. His voice, yet unheard, from the edge of Israel's historical events, reveals new insights through his unique perspective. Shalom's clear, alternative voice from the margins of society carries a deeply humanistic universal message.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
For one widowed father and his five kids, an extraordinary gift will change their lives forever.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
While everyone was going gaga over The Odyssey, Desert Warrior was quietly taking audiences on an epic Arabian “knights of the sand table” adventure
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.