A rube named Pepa (Leos Noha) robs cottages for cash and spends his free time swilling rum at fourth-rate establishments. The discovery of a strange video recording points him to a place where he'll find a treasure of immense value. The mysterious place in northern Bohemia, however, awakens avarice far and wide and, seemingly, it's got a plan for all those who turn up.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
A man struggling with the death of his son agrees to coach his former high school basketball team.
A man found himself stuck inside the passage to the subway exit on the way to work.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
