A man dreams of a box of gold waiting for him at the end of a cave. Curbed by his religious belief that it is not permissible to go after it himself, he employs the assistance of a non-believer and together they embark on a long journey across the Iranian landscape in pursuit of a miracle. Their treasure hunt soon turns tempting also for those they meet along their way. Aliyar Rasti’s allegorical breakthrough turns a road trip into a play of hide and seek between faith and human frailty.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
This romance movie has strong representation of Taiwanese people.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Looking for some Afro-centric entertainment? Check out these movies and immerse yourself in Black culture.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
