
Young Humphrey is a ghost with a big problem. He and his family, the Craggyfords, have been ousted from their home and left without a place to haunt. As they search for new haunting grounds they soon discover that they are not alone. Ghosts from all over the world have been exorcised from their dwellings, with dark castles and ancient buildings being destroyed by the living, and turned into shopping centers. With time running out, Humphrey digs deep inside, and decides to help save his family and the rest of the haunting community by scaring his way to victory.
Seven years after George Miller's previous film, 'Mad Max: Fury Road', he dives back into the scene with an equally daring movie. Although not nearly as action-packed, his newest film 'Three Thousand Years Of Longing' challenges the typical format of a film, giving you a well-known plot in an unexpected way.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Carolina Caroline follows Caroline (Samara Weaving), a bored young woman dreaming of escaping a small Texas town where nothing ever happens. When she meets Oliver (Kyle Gallner) at her workplace while he is conning the owner, she sees her perfect opportunity to get out. Their whirlwind romance strongly echoes Bonnie and Clyde, as the two quickly embark on a bank-robbing spree.