
Author Michael Collins charts the rise and fall of the council house, arguing that council housing had lost its way by the 1980s - before the big sell-off under Margaret Thatcher's Conservative government - and that ultimately it was not the architects but the people themselves that contributed to its decline. Yet in the 21st century, council housing remains on the agenda, and is currently in the throes of another chapter under the coalition government.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
Let it Snow in a nutshell, is a warmhearted coming of age teen Christmas movie.