Rallies and Musical Numbers: Hairspray Unpacks Racism in The 1960s
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.

On Tomb Sweeping Day, in 1988, a film crew set out for the monument of the Tangshan earthquake to shoot a memorial ceremony for the victims. This marked the beginning of shooting for a documentary called "The Great Earthquake." The crew continued to shoot through the rest of 1988, even staging a large-scale rock 'n' roll concert and performance art event on the Great Wall, and into 1989, including footage shot at the famous 1989 Avant-Garde Art Exhibition, where one artist fired two gun shots at her exhibit. More footage was shot during the Tiananmen protests, up until the events of June 4th shut down production for good. Shortly before, a two-hour "rough cut" was assembled by main director Wen Pulin and Assistant Director Hao Zhiqiang, which screened only once (and is preserved at University libraries in the U.S.). The footage has been recycled in some of Wen's later films, notably "China Action," but "The Great Earthquake" itself was never finished.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
A Christmas tale that everyone is wishing for, and that everyone will remember.
“Trust your gut" is one of the most common pieces of advice you’ll receive during your lifetime. And as a person inclined to trust my intuition above all else, it’s the most common advice I find myself giving in real life and in my online socialising. But what happens when your gut is trying to warn you that something is seriously wrong without you being able to identify what triggered it in the first place? How can you act on a feeling or make it go away when you don’t have a clue about what could be wrong? How can you trust your intuition when you don’t know what makes it act out in the first place?
A group of criminal animals tries their best to reform themselves into good citizens to avoid serving time in prison.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.