Business partners Bradley and Collier both love Mary. Bradley leads Collier to believe he is engaged to her so Collier prepares to head West when Lola, the young girl Bradley had seduced and abandoned, appears at the office and begs Bradley for help. He spurns her slipping out of the office and making it appear that Collier is the lout. Mary with that perception marries Bradley only to discover by Lola’s deathbed confession that she has been deceived. Tony, Lola's father, crazed by his daughter's death, comes to Bradley's office and the next day Bradley is found dead. When Tony is arrested Collier steps forward to say he confronted Bradley and as they struggled the revolver Bradley drew went off, killing him. Tony is freed and Collier and Mary marry.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
Amanda Riley gets the opportunity to travel to Vietnam for the experience of a lifetime.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.
