Last Christmas: Emilia Clarke Stopped Eating Hearts and Decided to Win Them.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.

Slovenian director Petra Seliskar investigates the role of ideology in her personal family history by means of interviews with her paternal grandfather, her Macedonian boyfriend Brand's maternal grandmother and his Cuban grandmother on his father's side. Illustrated by archive footage and home movies, her voice-over describes her family's personal story, Yugoslavia under Tito, and the recent war, accompanied by some particularly shocking footage. The nature shots and the alternation of classical, popular and revolutionary music occasionally lend the stories a light-hearted tone.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
Eloquent and informative, Hajera Sheikh’s documentary Kathak: Dancing With Taboos tells a story of love for one’s culture and perseverance through adversity.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.