The Gods Must Be Crazy (1984)

In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

As one of the women said in the film, friendship in your teens is “as important as any lover” and it’s clear they lived that philosophy throughout their early adult lives as well.

21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.

I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.

A best friend that will stick with you to the end, on a group trip from hell, is someone to die for.