
Yao and Moroccan Rachid arrive illegally in Valencia, Spain, and separate. Yao sells pirated DVDs in the street and wanders disconsolately around the barrio until he glimpses divorcee Maria Luisa working in her boutique. High-strung and irritable, Maria lives with her gay son, Rober, who, like many other things in life, is a disappointment to her. Rachid, meanwhile, is doing just fine working as a hairstylist in a beauty salon; Rober is hopelessly in love with him. When Yao starts sleeping in Rober's flat, a confrontation between him and Maria suddenly becomes inevitable, and when it comes, what could have been an embarrassment is actually handled with grace.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Adventure Time, Legend of Korra, Steven Universe, The Loud House, The Hollow, OK-K.O.! Let’s Be Heroes, The Dragon Prince, etc!
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
2025 has just about wrapped, so we’re taking this time to celebrate the most inclusive films that came out this year. Graded on Gender, Race, LGBTQ, Disability, and more