As the first all-female band to play their instruments, write their songs and have a No. 1 album, The Go-Go’s made history. Underpinned by candid testimonies, this film chronicles the meteoric rise to fame of a band born in the LA punk scene who became a pop phenomenon.
Alison Ellwood
Director
Charlotte Caffey
Self - Lead Guitar, Keyboards
Belinda Carlisle
Self - Lead Singer
Gina Schock
Self - Drummer
Kathy Valentine
Self - Guitarist
Jane Wiedlin
Self - Rhythm Guitar
Elissa Bello
Self - Original Drummer
Paula Jean Brown
Self
Ginger Canzoneri
Self - Manager
Chris Connelly
Self - Writer, Rolling Stone
Miles A. Copeland III
Self - Founder, I.R.S. Records
Stewart Copeland
Self - The Police
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
Andor is an origin story where each side will do whatever it takes.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.
Based off the book of the same name, ‘The Miseducation of Cameron Post’ (2018) follows teenager Cameron Post (Chloë Grace Moretz) after she is caught being intimate with another girl and then sent away to a gay conversion camp.