“Clayface” Does Not Save a Cat
This feels like the creative team wanted to make a body horror film, but the studio wanted to make another generic blockbuster.

Uriel Morag, a retired general with a glorious past that includes some less than glorious episodes, has, like many other army officers, graduated into an executive ministerial job. Self-important, overweight and - in his own mind - indispensable, he heads for the countryside with Mona, his latest bimbo, for a weekend away. But as he drives his BMW towards the village farm of two friends from his military past, he and his love are transported into a twisted Through The Looking Glass-style version of present day Israel.
This feels like the creative team wanted to make a body horror film, but the studio wanted to make another generic blockbuster.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
In all honesty, “Black and Blue” is a satisfying experience, complete with solid craftsmanship. With the help of cinematographer Dante Spinotti, Deon Taylor (the director) creates a murky, lived in atmosphere.
Peppered with whimsical humor, heartbreaking realizations, and heartwarming discoveries, The Incomer is surprisingly endearing through and through.