“Michael” and the Tension of Lacking Tension
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.

In front of a curved white and green faux marble bar with a brass lamp, metal cups, and a plate of fruit including a pineapple, against brownish yellow walls painted with green jungle vegetation, Helmut Muller (black hair, snub nose) bends over and sucks Gerry Preston (blondish, thin line tattooed around left biceps) as Gerry sucks Austin Rogers (dark blond, pointy nose) who is sitting on the bar; Gerry bends over and sucks Helmut who sucks Austin on the bar; sitting on the bar, Austin and Gerry suck Helmut between them; in front of the bar on stools, Austin and Gerry take turns topping Helmut in pile driver position on his shoulders on the floor; then Helmut takes turns sitting on Gerry and Austin; on a small speckled table, Gerry kneels while Austin sucks him and Helmut rims him; Austin sits on an ornate chair between Helmut and Gerry, as Helmut sucks Austin and Austin sucks Gerry.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
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