The Girl in the Special Economic Zone 

This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.

Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.

Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.

If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.

The justice system in the United States of America is supposed to operate as you are deemed innocent until proven guilty. But "When They See Us" shows what happens for Black people is they are deemed guilty until proven innocent.