'Spiderhead': Netflix's Newest Underwhelming High-Concept Sci-fi Thriller
'Spiderhead' is Netflix's latest high high-concept Sci-fi offering in the acts of Chris Hemsworth, Miles Teller, Jurnee Smollett, and Mark Paguio

Hope Dugan rescues young Jim McTavish from a beating at the hands of his cruel father, who then is himself beaten in a fight with Hope's father. Seeking revenge, Red kills Dugan and is hanged, leaving Jim and Hope orphaned. They are adopted by two old miners, Sam Hawks and Bill Higgins, who later sell their mine to send Hope to school but are robbed of the money by Brandt, who has offered to buy the claim. Jim learns of Brandt's treachery and recovers the money in a holdup but is arrested. Hope returns to find that Sam has died, and she believes that Jim is dead too until Bill tells her he is being framed for robbery. She and Bill hold up the stagecoach and rescue Jim, pretending to shoot him. United and free again, Hope and Jim face a happy life together.
'Spiderhead' is Netflix's latest high high-concept Sci-fi offering in the acts of Chris Hemsworth, Miles Teller, Jurnee Smollett, and Mark Paguio
If I had truly wished to witness "Guardians of the Galaxy", I would have stayed home to do so. Instead, I went to the IMAX and took in this newest incarnation of one of the most recognized and adapted superheroes in the DC Universe. **Sigh** Let me be clear here. I am NOT saying this is an AWFUL film.
The movie makes it abundantly clear that Meeka becoming an official heir is the most likely going to happen. But if you are expecting to see a movie about Meeka’s perseverance and eventual ascent to the throne, prepare to be deeply disappointed.
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.