The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

A girl named Katya meets a boy Mitya on the street. He loves animals, but his mother won't let them at their house no more. He looks for another place for his pets and so he lets Katya to take the animals to her home for a day.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
The story continues in 'Tall Girl 2' as Jodi finds herself playing the lead role in the school's musical production.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.