Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A spunky working mom moves her husband - still stressed out from the Vietnam era - and their two children into an old abandoned church where they are tormented by an evil shape-shifting ghost from hell.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary
'Reservation Dogs' is stacked with an array of Native American performers and crew telling their own story.
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.