Remake of the English movie Ghost Train (1931, Walter Forde). Seven people are stranded for a stormy night at a remote, unmanned railroad station past which, every midnight, steams the "ghost" of a train which wrecked there 20 years ago.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
