THE GET LOST LOSERS follows the most cantankerous rock band in Hollywood as it prepares for a super-clutch industry showcase and one last shot at fame. Official Selection: Montauk Film Festival & Culver City Film Festival. Winner at FOTA, The Canadian Cinematography Awards and The Studio City Film Festival.
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.
Despite being an over-talked-about piece of media, 'Euphoria' has some interesting articles about it with personal angles that oppose the average tendency to be generic.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
The Magician's Elephant has a strong multicultural cast and a heartwarming story about bringing two long-lost siblings back together
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
