Freakier Friday: Maybe It Was Freaky Enough the First Time?
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.

Mary Miles Minter is Sylvia, the niece of a man who leaves her a fortune. The money is in the hands of his lawyer, Baxter, who uses it to support his ambitious wife and daughter. Sylvia comes to Baxter's home and it's obvious she's not wanted there. Arnold, Baxter's son, is wasting his life away with drinking and nightclubbing, but Sylvia sweetly influences him to straighten up.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
A chilling return to the Final Destination franchise with a terrifying twist on fate. Bloodlines explores whether Death can hold a grudge across generations—and what happens when the past won't stay buried.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
'Do Revenge' offers a 2022-relevant sociopolitical commentary that decries virtue signaling while promoting the inclusive virtues the nefarious power structures exploit.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
The film reminds us to remember the people who had the courage and dignity that had made the world better, even when the memory was absent.