‘Little Woods’ Review: A Powerful New Take on the Western Genre
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.

A drama by Robert Holmes suggesting two possibilities for life in the year 2000.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
Viola Davis is an EGOT pioneer and trailblazer advocating for diversity and opportunity in Hollywood. See the legendary actresses' rise to critical acclaim.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
"Thunder Road" presents the grief that comes from a family member taking their own life.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.