The Fun Company (2017)

The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

Ester Shapiro who flees the only home she has ever known to start a new life in Berlin.

Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.

Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.

With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.

Han's turn to villainy in 'Frozen' was foreshadowed cleverly in the story.