Hildy Johnson is an investigative reporter looking for a bigger paycheck. When an accused murderer escapes from custody, Hildy sees an opportunity for the story of a lifetime. But when he finds the criminal, he learns that the man may not be guilty. With the help of his editor, Hildy attempts to hide the convict, uncover the conspiracy and write the scoop of his career.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
How do zombie films shine new light in the post-Covid and post-Brexit era?
