Sirāt: No Lesson to Learn
The one-way journey went to the desert that refused to offer an answer or a transcendence.

Doug and Valerie have made a mistake. Their hate-fueled obsession with the jerks downstairs — who always seem to be singing karaoke in a brownstone, who even does that? — recently led them to flee the city for Doug’s parents’ place upstate, giving up a great deal on a rent-stabilized apartment. Their friends are horrified, and regret is setting in. They start plotting their revenge— and before they know it, they’re staging an off-Broadway play starring their nemesis.
The one-way journey went to the desert that refused to offer an answer or a transcendence.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
The newest Pedro Almodóvar movie, Pain and Glory, focuses on an aging and debilitated filmmaker, Salvador Mallo (played by Antonio Banderas) reflecting on his life in his old age.
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end