Swept Away by You, Me, and Tuscany
A Black woman centered in a box office rom-com with a happy ending and no struggle love.

In Victorian London, young Adelaide is born into luxury, but marries starving artist Henry. His alcoholism and their lack of money lead to many quarrels. During one such fight, Henry slips down a flight of stairs and dies. A neighbor, Mrs. Mounsey, is the only witness, and she blackmails the young widow by threatening to tell the cops that Adelaide killed her husband. Luckily, lawyer Gilbert swoops in to help Adelaide.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
This horror movie combines elements of horror and babysitting with Black representation.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Through its morbidly humorous storytelling, Wednesday tells a tale of a world divided that explores the manifestation of generational trauma in its protagonist Wednesday Addams.