The Flying Scotsman is a 1929 black and white film set on the Flying Scotsman train from London to Edinburgh. Engine driver Bob is due to retire from his job after years of distinguished service. On his second to last day he reports Crow, a disgruntled fireman for drinking at work, leading to his dismissal. The sacked man decides to get his revenge, vowing to kill Bob on his final run. Meanwhile, Crow's young replacement has fallen in love with a beautiful girl, whose father, unbeknown to him, happens to be Bob (and who has also boarded the train in an attempt to stop the villain).
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.
Ben Affleck leads The Way Back, a seemingly cathartic film for him after the actor’s recent bouts with alcoholism and rehab. He plays Jack, a man fighting his own battles who happens upon coaching a boys’ basketball team, the same team he once played for back in high school.
A tale of legendary hunters and monsters that reminds us once more not to judge a book by its cover. Enjoy this heartwarming sea shanty with a well-done plot twist.
