“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
The Flowers of St. Francis (1952)
In a series of simple and joyous vignettes, director Roberto Rossellini and co-writer Federico Fellini lovingly convey the universal teachings of the People’s Saint: humility, compassion, faith, and sacrifice. Gorgeously photographed to evoke the medieval paintings of Saint Francis’s time, and cast with monks from the Nocera Inferiore Monastery, The Flowers of St. Francis is a timeless and moving portrait of the search for spiritual enlightenment.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
In a series of simple and joyous vignettes, director Roberto Rossellini and co-writer Federico Fellini lovingly convey the universal teachings of the People’s Saint: humility, compassion, faith, and sacrifice. Gorgeously photographed to evoke the medieval paintings of Saint Francis’s time, and cast with monks from the Nocera Inferiore Monastery, The Flowers of St. Francis is a timeless and moving portrait of the search for spiritual enlightenment.
Rating:
Genre:Drama, History
Written By:Brunello Rondi, Félix Morlión, Federico Fellini, Antonio Lisandrini
In Theaters:10/6/1952
Box Office:
Runtime:87 minutes
Studio:Rizzoli Film, Cineriz
Cast
Roberto Rossellini
Director
Aldo Fabrizi
Nicolaio, il Tiranno di Viterbo
Gianfranco Bellini
Narrator (voice)
Peparuolo
Giovanni il Sempliciotto
Severino Pisacane
Fra' Ginapro
Roberto Sorrentino
Nazario Gerardi
San Francesco (uncredited)
Arabella Lemaitre
Santa Chiara (uncredited)
Renzo Rossellini
Narrator (voice) (uncredited)
Articles You May Like
After Life Season Two: Ricky Gervais Continues His Best Work Yet
When you first hear that there is a series on Netflix where the lead character’s wife dies from cancer and he becomes dangerously suicidal, you wouldn’t immediately assume that it’s a comedy.
"The Father" is a Depressing But Insightful Look at Dementia
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Short Film Review “Take Me Home” Cognitive disability and the power of simply wishing to move forward on full display with stirring, awareness-raising soul
The power to function. As people, we are richly blessed to have the wide ranging scope of what we can accomplish…physically and mentally…that aid in everything we desire to strive for and, ideally, accomplish. However, what if someone was experiencing daily life with these elements….only in a more muted manner?
The Bubble: A Spoonful of Comedy Doesn't Make the Social Commentary Go Down
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
What is "Bugonia" Actually Trying to Say?
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.