Adapted from Guy de Maupassant's "Boule de Suif", this satire-cum-thriller transposes its backdrop to wartime China. On a bus crossing a checkpoint, a pretty girl coveted by a Japanese officer sacrifices herself to aid the patriotic cause against the enemy.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.
The live-action remake brings adventure and shows viewers why representation is important in a Disney Princess movie.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.
