I Want to Spend 'Christmas With You'
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.

Ueda, Koike and Keiko are in their fourth year at university. The time limit on their paradise of university is drawing to a close, and they are all feeling impatient in their own ways. Keiko is unable to find a job. Ueda is unsure of Keiko's feelings. Koike is torn between her dream of becoming a novelist and the reality of finding a job. The summer is passing. As if to hold on to their time in paradise, they enjoy a late night of fireworks. In his dreams, Koike sees a strange family picture. The image of the three of them sitting around a make-shift table on a riverbank overgrown with summer grass softly and unobtrusively conveys to the viewer their anxiety about their ambiguous future. The film's sincere image of adolescence is heartbreaking.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
A direct fall into the white savior narrative
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
American Fiction is a genuinely entertaining film with a few lessons.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.