The Best for Last: Newman, Woodward, and 'The Last Movie Stars'
With 'The Last Movie Stars,' filmmaker and fanboy Ethan Hawke cracks the facade of Hollywood's last golden couple, but reveals a couple who were committed to each other before all else.
The Flame of the Yukon (1917)
George Fowler arrives at the Mias saloon, and the proprietor, "Blak Jack" Hovey, orders a saloon girl, known only as "The Flame," to fleece him, but he has no money...
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
George Fowler arrives at the Mias saloon, and the proprietor, "Blak Jack" Hovey, orders a saloon girl, known only as "The Flame," to fleece him, but he has no money...
Rating:
Genre:Adventure, Drama
Written By:Monte M. Katterjohn
In Theaters:7/1/1917
Box Office:
Runtime:50 minutes
Studio:Triangle Film Corporation
Articles You May Like
'Slumber Party Massacre': Gory, Fun, and Feminist Slasher Remake
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
'They Fight' Is K.O.'d By White Gaze
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.
'Lady Chatterley’s Lover' is Inclusive of all Gender Perspectives
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Taylor Swift's Documentary in Miss Americana
Taylor Swift details her successful music career in country and pop genres in this featured documentary film Miss Americana.
Living People in "It Was Just an Accident"
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.