Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
The First King poster

The First King 

Romulus and Remus, two shepherds and loyal brothers, end up taking part to a journey that will lead one of them to be the founder of the greatest nation ever seen. However, the fate of the chosen one will pass from killing his own brother.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Romulus and Remus, two shepherds and loyal brothers, end up taking part to a journey that will lead one of them to be the founder of the greatest nation ever seen. However, the fate of the chosen one will pass from killing his own brother.

Rating:
Genre:History, Drama
Directed By:Matteo Rovere
Written By:Matteo Rovere, Francesca Manieri, Filippo Gravino
In Theaters:
Box Office:$2,440,478
Runtime:123 minutes
Studio:Groenlandia, GapBusters, Roman Citizen Entertainment, RAI Cinema, VOO, Casa Kafka Pictures, Belfius, MiC, Regione Lazio, MEDIA Programme of the European Union

Articles You May Like


Indie Film Review "Andhela Ravamidhi" The pursuit of dreams, obstacles to overcome, patriarchal mindsets, empowerment, and life’s beauty artistically and compellingly collideIndie Film Review "Andhela Ravamidhi"

What are we willing to walk through to see our dreams come to pass? Our minds might be so wholly alive with the passions we carry and the plans we make to see these things become all we wish them to be, yet life doesn’t always want to come alongside. Instead, obstacles arise, both physical and mental, which attempt to dissuade us or even prevent us from moving forward, stalling or stagnating the momentum to achieve what we desire. The age-old question remains….can we overcome? Or will we BE overcome?

Kirk Fernwood

The Naked Gun: New Squad on Fire!

Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.

Nilufer Ozmekik