"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

A sleeping car employee seeking a well-deserved rest is prevented from doing so by the crowing of his neighbor's rooster. Just as he's about to settle the score, he's presented with a gift: a rubber band around the annoying bird's beak temporarily puts an end to its vocalizations. But the animal can't be left alone, and Pierre has to take it with him on his nocturnal journeys: you can imagine the disturbance it can cause when, after being thrown out of a wagon window, it lands in the next van full of pheasants. The whole little world spills out onto the train, and the conductor is not at all pleased! Pierre manages to get a young passenger to assume ownership of the rooster, but not for long. Every time Pierre tries to get rid of it, it somehow comes back to him.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
The Sandman features a plethora of LGBTQ+ characters and is openly expressive about it!
A young girl named Hailey Mays sings a country song that is named after the film's title.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.