The Fifth Heaven (2011)

Set against the backdrop of the Jim Crow era, the film offers layered representation.

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.

Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.

Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.

I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.