'Hatching' - Social Media as the Modern Cardboard World
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.

In between performance, dance and cerémonies, "The Ferryman” is a choreographic exploration of rituals and animistic roots, a luxurious visualisation of a bewitchment and an exorcism of a man-deer in the borders of the world.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement