Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A fencing master in pre-revolution Spain is hired to teach fencing to a beautiful young woman. Although he has never taught a woman before he is fascinated by her and agrees. She wishes to learn a particular thrust which he is famous for. When a local nobleman becomes involved with her the intrigue begins.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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