
Navigating the treacherous social tides of high school, Marine is cut adrift by Océane, her older sister who’s caught in the thrall of an older man. Meanwhile, their mother struggles to keep her head above water.
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
Make no mistake about it, Gilligan has created a continuation that earns its place in the annals of Breaking Bad lore. El Camino isn't a forced entry in an otherwise brilliant world of fiction. This is a satisfying take, which manages to give closure to an iconic character of fiction.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.