"The World to Come": A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

A foreword warns against the peril of yellow journalism, and the story illustrates it by following events in the upstate New York town of Cornwall after prominant financier George Ferguson is killed. Two types of New York City journalists descend on Cornwall, one interested in facts, the other in getting sensational "news". Mrs. Ferguson is known to have been friendly with a local banker. The Fergusons quarrel the evening he is killed (by "burglars", his wife tells the police later), and she is arrested, spurred on by the "bad" journalists, who also manage to badger the banker's wife into the hospital. Meanwhile, young Bruce Foster runs the Cornwall Courier, and shows the big city reporters how to dig out real news while they attempt to subvert justice for their own ends.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
Frozen II is not quite direct to DVD Disney sequel level, but if it wasn’t for the spellbinding animation and budget, it certainly would be.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
A family comedy that combines fantasy and normal school life.