Sick or Evil or Both: “My Friend Dahmer” and the Coverage of White Killers
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?

Bob Quinn’s seminal documentary, deemed too disturbing for television viewers and not broadcast until 10 years after its completion, reveals life inside the Atlantis Commune at Burtonport, Co. Donegal where its members, The Screamers, led by English woman Jenny James, practised Reichian methods of extreme emotional self-expression.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
The film is a powerful narrative encompassing a theme that many people can identify with.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
A man found himself stuck inside the passage to the subway exit on the way to work.