Akiko (Mai Fukagawa) is a former idol, but now lives an ordinary life. She works at a company and keeps reminding herself that she is happy and to have a fulfilling day. One day, she walks to work and falls down. She becomes stuck and unable to move. Akiko breaks down mentally and decides to quit her job. Now, Akiko doesn't have a job, a boyfriend, and only 100,000 yen (~$700 USD) in her bank account. Her friend then tells her that she should move in with 56 year old salaryman Sasapon (Arata Iura), who lives alone in his house in Tokyo. When she visits Sasapon, he invites her to stay at his house on the condition that she can live there until his retirement. Their strange living arrangement begins.
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.
By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
